top of page

About the Owner

Rajan Panchal is an oboist, teacher, and academic. Originally from the California Bay Area, Rajan is currently a doctoral candidate in Oboe Performance at Boston University, where he is conducting research on how to improve the ergonomics of the oboe using new technologies like 3D printing. He hopes his work will benefit all double reed players, especially those with performance injuries and disabilities.

​

​In addition to his research, Rajan is an avid performer who has freelanced and toured extensively with orchestras and chamber groups throughout the U.S. and Europe. He has performed in renowned venues such as Carnegie Hall, Disney Hall, Davies Symphony Hall, Boston Symphony Hall, Smetana Hall, Ozawa Hall, and Lincoln Center. Recent highlights include recording Leonard Slatkin’s The Raven for Naxos, with Slatkin conducting and actor Alec Baldwin narrating.

 

​Rajan is a recipient of the New York Philharmonic Stamas Fund Scholarship, the New York University Claude Ghez Fellowship, and the Cirio Foundation scholarship. He currently studies with Boston Symphony oboists John Ferrillo and Mark McEwen at BU. Rajan previously attended New England Conservatory, Manhattan School of Music, and New York University, where he studied with members of the New York Philharmonic and Humbert Lucarelli.

headshot.jpg

Research

My research examines the intersection of oboe performance, ergonomics, acoustics, and instrument manufacturing, with a particular focus on how modern technology can improve the physical relationship between musicians and their instruments. While the oboe has undergone significant mechanical development over the past two centuries, many aspects of its design remain rooted in historical conventions that can contribute to physical strain, fatigue, and long-term injury in performers. Through historical study and experimental prototyping, this project investigates how alternative materials, revised keywork systems, and emerging manufacturing methods such as 3D printing may offer new possibilities for instrument design. The research also explores the balance between preserving the tonal and artistic qualities expected of the modern oboe while improving comfort, accessibility, repairability, and customization for individual performers. Ultimately, this work aims to contribute to ongoing conversations surrounding musician health, innovation in instrument making, and the future development of woodwind instruments.

Listen

Maurice Ravel Le Tombeau de Couperin, Prelude

Boston University Symphony Orchestra with James Burton October 24, 2022

Maurice Ravel Le Tombeau de Couperin, Forlane

Boston University Symphony Orchestra with James Burton October 24, 2022

Maurice Ravel Le Tombeau de Couperin, Menuet

Boston University Symphony Orchestra with James Burton October 24, 2022

Maurice Ravel Le Tombeau de Couperin, Fugue, arr. by Thierry Pecou

Boston University Symphony Orchestra with James Burton October 24, 2022

Maurice Ravel Le Tombeau de Couperin, Rigaudon

Boston University Symphony Orchestra with James Burton October 24, 2022

Tchaikovsky Symphony No. 4, Andantino in modo di Canzona

Boston University Symphony Orchestra with James Burton September 29, 2023

Shostakovich Symphony No. 10, Andante

Boston University Symphony Orchestra with James Burton November 17, 2023

Adagio
00:00 / 04:16

Rajan Panchal in Recital February 8, 2025

C.P.E. Bach Sonata in G minor W.Q. 132 

I: Adagio

dre_secondary_darkbg.png
bottom of page